Merry X-Day, More King Fanboying, and Maybe I'm Just Lazy

I find trying to figure out which holiday exhortation to use for any particular audience incredibly annoying. Christmas? Holidays? Kwanzanukah? Grr... Happy holidays was supposed to solve the whole mess, but it feels impersonal and overly PC.

So...

In an effort to live by Bob's rule (Don't just eat that hamburger, eat the HELL out of it!), I have decided to just wish everyone a Merry X-Day. I realize X-Day sounds vaguely like foreboding, maybe the day the mutant uprising kicks off, or the Mayan prophecies come true, or the UFOs descend from Mars to consume our Moms. This menacing cheerfulness is just a happy bonus. The vague part was really what I was after.

So Merry X-Day, everybody. May the cattle of your heart remain unmutilated, and your inner Earth shy from climate change. Also, I hope you get cool loot. Or your two front teeth. Or--if you're a thieving tooth fairy--a pair of pliers and somebody else's two front teeth.

I may have been reading too much of Chuck Wendig's blog. I'm only so-so on what he has to say, but the way he says it is f-ing hilarious. Only he would never abbreviate f-ing as f-ing. Other censored phrases he would never use likely include c-ck g-rgler, b--ver d-ck, -nal p-ssy h-le, and so on. So, fair warning there, but go check him out.

Moving on: I've made it about 1/4 of the way through 11/22/63 by Stephen King. Still loving it. Page-turning, can't-put-it-down loving it. Highly recommended. I find the treatment of time-travel--from a horror perspective rather than SF perspective--especially interesting. Also, man can this guy write. A lot can be learned here from how he structures his phrases.

I'm not gonna spend much more time on this, but it bears repeating--King's writing is Chunky. Long-short, florid-simple, occasional and effective use of tricks like repetition, just a wonderful variety, nice and chewy. I'm going to be spending time rereading this book in analytical mode when I 'm done reading it for fun.

Final stop on today's choo-choo of fun: I have written almost nothing this week. A couple of poems, which I consider fun-but-not-really-productive. IE, good luck selling those, you bozo. I keep a daily log, and I've mostly kept up with that this week. My writing calender (what I use in place of something modern like a spreadsheet) is a long row of zeros.

Part of my excuse is that I've been sick, as has the rest of my family. Also, NaNoWriMo burnout should be good for some slack. Still. I may have to face the fact that I am just lazy. Which is No Good.

A successful writing career (the goal of this whole exercise--IE, not working a shitty day job for the rest of my life) requires working my ass off. Not lounging it off. So I am going to have to do something about that.

My goal for next year involves doubling my wordcount from this year, what I'm calling the “Beat Michael Stackpole’s 2011 Wordcount Challenge” (or BMS2W Challenge, which sounds like a German car), which I announced in the comments section of this blog post, because I got the minerals. So now the only question is whether the threat of public humiliation can overcome my natural inertia, AKA the laziness of a depressed cat on Valium.

We'll see.

And I'll see you next week, likely early again (because of Pounding-hangover-I-did-what-to-the-dog? Day--termed New Year's Day in more civilized places.)

Storytelling Vs Writing

Writing is important. Not writing in general. Quality writing in terms of style, prose craft, and so on. If your writing is stilted, overly verbose and flowery, or otherwise distracting, it doesn't matter how good your story is, the reader will quit on you. And heavens help the writer with bad grammar (fiction grammar, not academic grammar) or spelling.

But, good writing will only get you so far. You have to have a good story. You have to have the storytelling skills to keep the reader invested in that story. Writing style is only the very first barrier to entry for a reader.

I ran across a statement by Dean Wesley Smith several months ago, one he repeats many times in his "Killing the Sacred Cows of Publishing" series (required reading, IMHO.) He says that most new writers are concerned with sentence by sentence writing, rather than story writing (any errors/paraphrasing are mine.)

I have been turning this statement over in my head for months, trying to understand it. I felt sure that I, as a new writer, was likely committing this offense. But I couldn't understand how, or how to move past it. How else could one possibly write, other than sentence by sentence?

It's taken two things to illuminate this issue for me. Firstly, the idea vs story concept I picked up form Bob Mayer. That idea in itself has radically changed my writing process. The huge number of words I've written in the last four months has also helped tremendously (about 100,000 or so.) Basically, I've gotten to where I am much faster imaginationally (yes, that's a word. It is now, anyway.)

It took me weeks to write my first story. I could probably (have, I think) write a better story now in an afternoon. Not that I am trumpeting my own horn, or claiming that the stories I write now are great (they are, of course), but they are miles ahead of what I was writing when I started.

I am developing a faculty to see my stories in much broader swaths than I could when I started. And I see now where the particulars often don't matter, as long as they convey the essential story information. It's not the words, it's the content. words are just a container for story.

A humble note - I'm sure (I really really hope) I'll continue to grow as a writer, and understand storytelling and writing better. I hope my current understanding seems as limited to future me as my past me's understanding seems to present me. Phew.

Ideas Vs Story

I am reading through Bob Mayer's book on novel writing, and getting a lot out of it. In some ways it is a much more nuts and bolts book than other ones I've read recently. He also took the rather unique approach of writing the book over the course of about fifteen years, so a side range of perspective is evident. really good read, highly recommended.

One of the concepts I have picked up is the difference between an idea and a story. Read the book for the full scoop, but the gist is that an idea is a one sentence summary of the core of the book, that must at all costs be maintained. What if an omnipotent being created the universe from scratch - an idea. Genesis - a story. That one idea could generate many different stories, but none of the stories could be summed up as anything other than the one idea.

One of the ways this concept affects me is that I am now applying it to every entry in my idea bank. It goes like this - I have a flash of genius (or something else), I write it down as concisely as possible, in one sentence. Then I start revising that idea to be as interesting as possible, then I start brainstorming the story. The first step is different form my old one, which was - write down the idea, higgledy piggledy. The middle step, enabled by the first step, is brand new.

And no, I am not afraid to use phrases like higgledy piggledy, if I need them to get my point across.

An example -

Idea - What if an office worker was driven mad by her spreadsheet.

Refinement - What if the elder gods used office software to mentally enslave a junior accountant?

The Story - The Elder Spreadsheet - The protagonist, a junior accountant, isn't climbing the corporate rungs fast enough to suit her ambitions. Her weird friend from high school is having great success with an import/export business. They have lunch, the friend suggests using an occult self-help book, which in turn leads to online discussions and eventually a website. The protagonist downloads office productivity software, which she installs on her work computer. It mimics her regular software. She begins to succeed, wildly, but also has strange events and nightmares, etc. Eventually she is a mindless drone, as is the rest of her company. She ends up the CFO, and her weird friend is the new CEO. Her company begins producing and selling the software, worldwide.

I am sure there are a lot of other ways this same idea could be developed into a story. I like this one enough that it is likely going to be the next short that I write, though. Easy peasy, huh?